Rococo and Enlightenment - Flash (Medium) - 20110308 11.11.45AM
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Slide 17
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Slide 28
The Three Estates
The French Revolution
The Enlightenment
The Enlightenment
The Enlightenment
The Enlightenment
Slide 36
Art for the Public
Art for the Public
Art for the Public
Art for the Public
The Cult of the Natural
The Cult of the Natural
The Cult of the Natural
The Cult of the Natural
The Cult of the Natural
Moralizing Genre in England
Moralizing Genre in England
Moralizing Genre in England
Slide 49
Slide 50
Slide 51
Marriage a la Mode
Slide 53
Slide 54
Slide 55
Marriage a la Mode
Moralizing Genre in England
Moralizing Genre in England
Moralizing Genre in England
Moralizing Genre in England
The Cult of the Natural
The Cult of the Natural
The Cult of the Natural
The Cult of the Natural
The Cult of the Natural
The Cult of the Natural
Slide 68
The Cult of the Natural
Slide 70
Slide 71
Slide 72
Slide 73
The Cult of the Natural
The Cult of the Natural
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Art
109:
Renaissance
to
Modern
Westchester
Community
College
Prof.
M.
Hall
©
Spring
2010
The
18th
Century:
Rococo
Art
and
the
Enlightenment
Ceres
Van
der
Meulen,
Louis
XIV
Receiving
Swiss
Ambassadors,
1663
Image
source:
http://www.kipar.org/period-galleries/galleries_1660p.html
Social
life
at
the
court
of
Louis
XIV
was
highly
regimented
and
formal
1104.jpg
1104.jpg
1103.jpg
1103.jpg
“Watteau's
masterpiece
is
an
allegory
of
courtship
and
falling
in
love.
The
first
couple
is
sitting
absorbed
in
flirtatious
conversation.
They
are
next
to
a
second
pair
who
are
just
standing
up,
while
a
third
pair
are
heading
for
the
ship.
The
young
woman
is
looking
back
in
nostalgia
at
the
place
where
she
has
spent
so
many
happy
hours.
In
the
distance,
a
number
of
figures
are
climbing
aboard
a
superb
ship
with
cherubs
hovering
overhead.”
Louvre
The
Three
Estates
threeestates
While
the
aristocracy
lived
in
luxury,
the
burden
of
taxation
fell
heavily
on
the
“Third
Estate”
--
the
bourgeoisie
(middle
classes),
workers,
and
peasants
The
Three
Estates
Image
source:
http://www.historywiz.com/oldregime.htm
The
French
Revolution
This
eventually
led
to
the
French
Revolution
in
1789
Storming
of
the
Bastille
prison,
the
opening
event
of
the
French
Revolution,
on
July
14,
1789
Image
source:
http://www.britannica.com/EBchecked/topic-art/240105/94998/Storming-of-the-Bastille-prison-the-opening-event-of-the
The
Enlightenment
The
French
Revolution
was
a
product
of
the
philosophical
movement
known
as
the
Enlightenment
Nicolas
de
Largillière
Portrait
of
Voltaire,
1718
Museé
national
du
Château
et
des
Trianons
Wikimedia
The
Enlightenment
Voltaire_2,_Houdon
Enlightenment
philosophers
were
the
descendents
of
Renaissance
Humanism
Antoine
Houdon,
Bust
of
Voltaire,
1781
National
Gallery
of
Art
Castagno_Bocaccio
The
Enlightenment
Voltaire_2,_Houdon
Antoine
Houdon,
Bust
of
Voltaire,
1781
National
Gallery
of
Art
“They
believed
that
human
reason
could
be
used
to
combat
ignorance,
superstition,
and
tyranny
and
to
build
a
better
world.
Their
principal
targets
were
religion
(embodied
in
France
in
the
Catholic
Church)
and
the
domination
of
society
by
a
hereditary
aristocracy”
http://www.wsu.edu/~brians/hum_303/enlightenment.html
The
Enlightenment
Encyclopédie
ou
Dictionnaire
Raisonné
des
Sciences,
des
Art
et
des
Métiers,
1751-1765
Image
source:
http://www.library.usyd.edu.au/libraries/rare/modernity/diderot.html
.
One
of
the
great
works
of
the
Enlightenment
was
the
Encyclopédie
“The
aim
of
an
Encyclopédia
is
to
bring
together
the
knowledge
scattered
over
the
surface
of
the
earth,
to
present
its
overall
structure
to
our
contemporaries
and
to
hand
it
on
to
those
who
will
come
after
us,
so
that
our
children,
by
becoming
more
knowledgeable,
will
become
more
virtuous
and
happier;
and
so
that
we
shall
not
die
without
earning
the
gratitude
of
the
human
race.”
(Diderot,
1755,
p.
635;
trans.
S.
Clennell)
1106.jpg
Art
for
the
Public
Whereas
art
in
the
past
had
been
in
the
service
of
“church
and
king,”
Enlightenment
philosophers
believed
that
art
should
be
for
“the
people”
f_we_the_people
Art
for
the
Public
In
keeping
with
these
ideals,
the
royal
palace
of
the
Louvre
was
converted
into
a
public
art
museum
after
the
Revolution
The
Louvre
was
the
urban
palace
of
the
French
monarchy,
built
by
Louis
XIV
Image
source:
http://hughes.ca/family/France2007.html
Art
for
the
Public
Enlightenment
philosophers
believed
that
art
should
teach
moral
virtue
DiderotVanLoo
Louis
Michel
van
Loo,
Portrait
of
Denis
Diderot,
1767
Louvre
Web
Gallery
of
Art
Art
for
the
Public
They
denounced
Rococo
art
as
“frivolous”
and
“lascivious”
Francois
Boucher,
Toilette
of
Venus,
1751
Metropolitan
Museum
of
Art
“I
am
no
Capuchin,
but
I’ll
admit
that
I
should
gladly
sacrifice
the
pleasure
of
seeing
attractive
nudities
if
I
could
hasten
the
moment
when
sculpture
and
painting,
having
returned
to
decency
and
morality,
will
compete
in
promoting
virtue
and
purity
of
morals.
I
think
I
have
seen
enough
teats
and
bottoms.”
Denis
Diderot
The
Cult
of
the
Natural
Reaction
against
the
frivolity
and
and
artificiality
of
aristocratic
culture
led
to
an
increasing
demand
for
art
that
celebrated
simple
virtues
1104.jpg
Jean-Honoré
Fragonard
The
Swing,
1766
Wallace
Collection,
London
The
Cult
of
the
Natural
Influenced
by
the
ideas
of
Jean
Jacques
Rousseau,
this
painting
by
Chardin
depicts
a
peasant
family
saying
grace
before
a
meal
Jean-Baptiste-Siméon
Chardin,
Saying
Grace,
1740
Louvre
1107.jpg
“Here
we
see
the
striking
difference
between
Chardin
and
painters
like
Boucher.
Chardin
stresses
deserving
and
hidden
virtues,
the
contented
life
of
duty,
and
clean
and
well-fitting
humble
dresses
-
not
the
coquetry
of
marquises,
garden
luncheons,
and
moonlit
promenade
.
.
.
The
moralization
of
the
subject,
exaltation
of
a
simple
family
life,
and
palpable
intimacy
explain
the
philosopher
Diderot's
great
enthusiasm
for
Chardin's
genre
scenes.”
Louvre
The
Cult
of
the
Natural
Reaction
against
the
frivolity
and
and
artificiality
of
aristocratic
culture
led
to
an
increasing
demand
for
art
that
celebrated
simple
virtues
1104.jpg
Jean-Honoré
Fragonard
The
Swing,
1766
Wallace
Collection,
London
The
Cult
of
the
Natural
Influenced
by
the
ideas
of
Jean
Jacques
Rousseau,
this
painting
by
Chardin
depicts
a
peasant
family
saying
grace
before
a
meal
Jean-Baptiste-Siméon
Chardin,
Saying
Grace,
1740
Louvre
1107.jpg
“Here
we
see
the
striking
difference
between
Chardin
and
painters
like
Boucher.
Chardin
stresses
deserving
and
hidden
virtues,
the
contented
life
of
duty,
and
clean
and
well-fitting
humble
dresses
-
not
the
coquetry
of
marquises,
garden
luncheons,
and
moonlit
promenade
.
.
.
The
moralization
of
the
subject,
exaltation
of
a
simple
family
life,
and
palpable
intimacy
explain
the
philosopher
Diderot's
great
enthusiasm
for
Chardin's
genre
scenes.”
Louvre
The
Cult
of
the
Natural
In
contrast
to
the
corrupt
values
of
the
French
aristocracy,
the
picture
embodies
Enlightenment
ideals
of
simplicity,
nobility,
and
virtue
Jean-Baptiste-Siméon
Chardin,
Saying
Grace,
1740
Louvre
1107.jpg
Moralizing
Genre
in
England
The
influence
of
Enlightenment
ideas
can
be
seen
in
the
work
of
William
Hogarth,
a
British
painter
of
the
18th
century
William
Hogarth,
The
Painter
and
his
Pug,
1745
Tate
Gallery
“Hogarth
first
began
this
self-portrait
in
the
mid-1730s.
X-rays
have
revealed
that,
at
this
stage,
it
showed
the
artist
in
a
formal
coat
and
wig.
Later,
however,
he
changed
these
to
the
more
informal
cap
and
clothes
seen
here.
The
oval
canvas
containing
Hogarth’s
self-portrait
appears
propped
up
on
volumes
of
Shakespeare,
Swift
and
Milton,
authors
who
inspired
Hogarth’s
own
commitment
to
drama,
satire
and
epic
poetry
.
.
.
Hogarth’s
pug
dog,
Trump,
whose
features
resemble
his,
serves
as
an
emblem
of
the
artist’s
own
pugnacious
character.”
Tate
Gallery
Moralizing
Genre
in
England
Hogarth
specialized
in
moralizing
scenes
of
everyday
life
William
Hogarth,
Marriage
a
la
Mode
Scene
1:
The
Marriage
Contract,
1745
National
Gallery,
London
Web
Gallery
of
Art
Moralizing
Genre
in
England
His
Marriage
a
la
Mode
series
is
a
satire
on
the
aristocratic
tradition
of
the
“arranged
marriage”
William
Hogarth,
Marriage
a
la
Mode
Scene
1:
The
Marriage
Contract,
1745
National
Gallery,
London
Web
Gallery
of
Art
“The
story
starts
in
the
mansion
of
the
Earl
Squander
who
is
arranging
to
marry
his
son
to
the
daughter
of
a
wealthy
but
mean
city
merchant.
It
ends
with
the
murder
of
the
son
and
the
suicide
of
the
daughter.”
National
Gallery,
London
marriag1
“In
the
first
scene
the
aged
Earl
(far
right)
is
shown
with
his
family
tree
and
the
crutches
he
needs
because
of
his
gout.
The
new
house
which
he
is
having
built
is
visible
through
the
window.
”
National
Gallery,
London
marriag1
“The
merchant,
who
is
plainly
dressed,
holds
the
marriage
contract,
while
his
daughter
behind
him
listens
to
a
young
lawyer,
Silvertongue.
The
Earl's
son,
the
Viscount,
admires
his
face
in
a
mirror.
Two
dogs,
chained
together
in
the
bottom
left
corner,
perhaps
symbolise
the
marriage.
”
National
Gallery,
London
marriag1
“Hogarth's
details,
especially
the
paintings
on
the
walls,
comment
on
the
action.
A
grand
portrait
in
the
French
manner
on
the
rear
wall
confronts
a
Medusa
head,
denoting
horror,
on
the
side
wall.”
National
Gallery,
London
Marriage
a
la
Mode
The
next
scene
portrays
the
couple’s
inevitable
demise
1109.jpg
William
Hogarth,
Marriage
a
la
Mode
Scene
2:
The
Breakfast
Scene,
1745
National
Gallery,
London
Hogarth
“The
tired
wife,
who
appears
to
have
given
a
card
party
the
previous
evening,
is
at
breakfast
in
the
couple's
expensive
house
which
is
now
in
disorder.
”
National
Gallery,
London
Hogarth
“The
Viscount
returns
exhausted
from
a
night
spent
away
from
home,
probably
at
a
brothel:
the
dog
sniffs
a
lady's
cap
in
his
pocket.
Their
steward,
carrying
bills
and
a
receipt,
leaves
the
room
to
the
left,
his
hand
raised
in
despair
at
the
disorder.”
National
Gallery,
London
Hogarth
“The
decoration
of
the
room
again
comments
on
the
action.
The
picture
over
the
mantlepiece
shows
Cupid
among
ruins.
In
front
of
it
is
a
bust
with
a
broken
nose,
symbolising
impotence.”
National
Gallery,
London
Marriage
a
la
Mode
Like
the
Enlightenment
thinkers
of
the
time,
Hogarth
proposes
that
marriage
should
be
founded
on
the
“natural”
bonds
of
love,
rather
than
a
business
transaction
1109.jpg
William
Hogarth,
Marriage
a
la
Mode
Scene
2:
The
Breakfast
Scene,
1745
National
Gallery,
London
Moralizing
Genre
in
England
Hogarth
Marriage
1
Hogarth
did
not
make
his
living
from
the
original
paintings
Instead,
he
sold
engraved
prints
that
could
be
mass
produced
and
distributed
more
widely
Moralizing
Genre
in
England
Hogarth’s
“moralising
genre
scenes”
parallel
the
rise
of
the
literary
novel
in
England
Samuel
Richardson,
Pamela:
or,
Virtue
Rewarded,
1741
Image
source:
http://www.librarycompany.org/BFWriter/publisher.htm
Moralizing
Genre
in
England
Novels
were
new
because
they
depicted
everyday
life
(like
genre
painting),
and
they
were
written
in
prose
--
every
day
language
--
rather
than
poetry
Samuel
Richardson,
Pamela:
or,
Virtue
Rewarded,
1741
Image
source:
http://www.librarycompany.org/BFWriter/publisher.htm
Moralizing
Genre
in
England
They
were
published
in
serial
form
in
the
popular
press
Samuel
Richardson,
Pamela:
or,
Virtue
Rewarded,
1741
Wikipedia
The
Cult
of
the
Natural
Enlightenment
ideas
were
influential
in
the
American
colonies
as
well
This
portrait
of
Paul
Revere
communicates
a
down
to
earth
simplicity
that
contrasts
with
the
current
fashion
for
aristocratic
finery
John
Singleton
Copley,
Portrait
of
Paul
Revere,
c.
1768-1770
Museum
of
Fine
Arts,
Boston
1112.jpg
The
Cult
of
the
Natural
Enlightenment
thought
also
inspired
a
new
way
of
thinking
about
the
concept
of
“nobility”
By
tradition
nobility
was
inherited
from
birth
Vernon_Family_Genealogy
The
Cult
of
the
Natural
Enlightenment
philosophers
argued
that
nobility
came
from
character
rather
than
birth
Quentin
La
Tour,
Jean
Jacques
Rousseau,
1753
Musée
d'Art
et
d'Histoire,
Geneva
Web
Gallery
of
Art
The
Cult
of
the
Natural
Artists
of
the
18th
century
explored
a
new
kind
of
hero
The
modern
hero
embodied
virtues
of
courage,
resolution,
patriotism,
and
self
sacrifice
These
noble
virtues
come
by
“nature”
rather
than
birth
Gilbert_stuart_washingt
Gilbert
Stuart,
Portrait
of
George
Washington,
1795
Metropolitan
Museum
of
Art
The
Cult
of
the
Natural
Benjamin
West
was
an
American
artist
who
spent
most
of
his
professional
career
in
London
This
painting
was
a
daring
exploration
of
a
new
kind
of
subject
–
the
modern
hero
who
exemplifies
noble
virtue
1111.jpg
Benjamin
West,
Death
of
General
Wolfe,
1771
National
Gallery
of
Canada
The
Cult
of
the
Natural
General
Wolfe
was
a
British
Military
hero
who
died
in
battle
outside
the
city
of
Quebec
West
portrayed
him
in
the
“Grand
Manner”
style
once
reserved
for
kings
and
figures
from
history,
mythology,
or
the
bible
1111.jpg
Benjamin
West,
Death
of
General
Wolfe,
1771
National
Gallery
of
Canada
1111.jpg
“To
depict
the
death
of
Wolfe
at
the
Battle
of
the
Plains
of
Abraham
in
1759,
West
grouped
the
figures
around
the
fallen
general
as
in
a
Lamentation
of
Christ.”
National
Gallery
of
Canada
depositi
The
Cult
of
the
Natural
In
West’s
painting,
a
“modern
hero”
takes
the
position
once
reserved
for
god
and
king
Anthony
Van
Dyck,
Deposition,
1634
1111.jpg
West
studied
contemporary
uniforms
to
ensure
accuracy
1111.jpg
He
included
a
semi-nude
American
Indian
to
identify
location,
and
to
recall
the
classical
tradition
of
heroic
nudes
1111.jpg
While
the
dark
clouds
of
the
battle
drift
to
the
right,
the
sky
begins
to
clear
on
the
left
1111.jpg
The
figure
in
green
points
to
a
messenger
in
the
distance
who
brings
the
news
that
the
battle
has
been
won
The
Cult
of
the
Natural
Like
Hogarth,
West
did
not
make
his
money
off
the
sale
of
the
painting
Instead,
he
made
his
money
off
the
sale
of
prints
William
Woollett,
after
a
painting
by
Benjamin
West,
The
Death
of
General
Wolfe,
London:
Woollett,
Boydell
&
Ryland,
1776
American
Library
of
Congress
The
Cult
of
the
Natural
Artists
were
now
working
for
a
new
public,
and
their
job
was
to
teach
moral
virtue
to
citizens
of
a
new
social
order
f_we_the_people
hi
this
is
Professor
Melissa
Hall
and
his
increasing
pollution
on
Rococo
Art
and
the
Enlightenment
.
the
death
of
Louis
fourteen
the
French
aristocracy
fled
to
sign
a
flocked
to
Paris
to
enjoy
the
pleasures
of
Town
night
.
recent
salon
the
center
of
social
life
.
but
prominent
of
the
credit
women
salons
Port
intimate
social
gatherings
.
BC
informal
down
gatherings
were
a
welcome
break
from
the
formal
ceremony
of
Louis
the
fourteenth
court
.
socialite
at
the
court
of
Louis
the
fourteenth
was
highly
regimented
and
formal
.
the
eighteen
century
salon
was
intimate
and
relaxed
The
focus
was
on
witty
conversation
and
cultivated
sociability
.
new
style
emerged
that
was
more
suited
to
the
lifestyle
of
the
French
aristocracy
.
called
to
grow
cocoa
.
the
French
word
Prop
meaning
shell
the
broken
Course
style
is
characterized
by
pastel
colors
and
delicate
ornamental
patterns
patterns
in
the
shape
of
scrolling
finds
flowers
and
shells
.
stylistically
it
ornate
feminine
and
light
hearted
.
.
in
the
imposing
grandeur
of
Louis
the
fourteenth
time
.
I'll
affected
everything
from
fashion
to
architecture
furniture
and
porcelain
.
it
gave
birth
to
French
.
and
made
Paris
the
fashion
capital
of
the
world
.
French
Rococo
painting
reflected
the
privileged
lifestyle
of
the
eighteenth
century
aristocracy
.
National
Gallery
of
Art
describing
Francois
Boucher
eight
.
Portrait
of
man
and
Vision
day
.
the
pale
colors
rich
fabrics
and
rustic
.
the
strong
pound
.
glue
the
Castile
.
it
captured
the
grace
of
a
great
way
of
life
in
which
contemporary
noted
.
we
really
have
nothing
else
to
do
but
he
pleasant
sensations
and
feelings
.
art
based
on
the
pastimes
of
celebrity
get
to
come
like
Paris
France
.
similarly
have
nothing
to
do
except
you
persecute
pleasure
and
entertainment
.
that's
pretty
much
like
you've
got
with
the
Rococo
be
in
this
painting
by
Fragonard
on
a
cool
example
of
pro
cocoa
Art
o
well
dressed
lady
flirts
with
her
lover
while
another
lover
Edition
pushes
her
swing
.
.
you
are
off
to
get
her
lover
a
peek
pursed
their
.
.
on
the
plate
rope
with
chili
erotic
subject
matter
makes
this
work
typical
of
Rococo
painting
.
while
the
Louis
the
fourteenth
Academy
emphasizes
the
first
use
of
DC
new
protocol
painters
increased
The
sensual
appeal
of
Reuben
and
coloring
together
.
when
I
sensual
I'm
talking
about
the
the
five
senses
but
that
the
Fed
every
quality
of
that
fully
eight
we
can
feel
it
and
our
fingers
soft
and
feathery
.
even
known
for
frequent
on
the
gift
of
all
of
our
senses
art
in
art
in
the
.
so
the
rich
in
marine
colors
and
also
the
first
work
is
carried
the
party
Fianna
read
the
caption
on
the
loose
brush
work
of
the
cocoa
painting
was
intended
to
provide
pleasure
rather
than
moral
or
intellectual
.
.
in
this
painting
by
Francois
Boucher
a
beat
mistress
Madame
comfort
or
it
for
trade
as
penis
luxuriating
in
rich
silks
and
pearls
.
okok
painters
like
the
Paparazzi
of
their
day
.
lifestyles
of
the
rich
and
famous
and
decay
.
held
on
one
toe
was
one
of
them
eating
Rococo
painters
This
picture
was
submitted
as
an
acceptance
piece
to
the
French
Royal
Academy
.
any
of
the
existing
categories
they
had
to
create
a
new
genre
called
the
Golan
.
on
the
IRD
of
in
the
the
genre
.
we're
basically
history
painting
which
was
biblical
subject
or
subjects
from
classical
mythology
and
then
there
were
Genre
scenes
scenes
of
everyday
life
.
this
nine
to
one
of
those
six
nine
The
mythological
the
nori
said
a
painting
.
it's
been
and
ladies
and
gentlemen
of
the
aristocracy
but
they
are
sad
and
kind
of
mythological
landscape
let
go
of
the
Picture
scandal
colonnade
to
consider
.
it
depicts
ladies
and
gentlemen
of
the
aristocracy
on
the
mythical
island
of
Santa
around
which
was
the
birthplace
of
being
the
goddess
of
love
.
and
your
sick
Description
from
the
wound
.
masterpiece
is
an
allegory
of
courtship
and
falling
in
love
.
the
first
couple
is
sitting
absorbed
in
flirtatious
conversation
.
they
are
next
to
a
second
pair
who
are
just
standing
up
while
a
third
pair
are
heading
for
the
ship
.
the
young
woman
is
looking
back
in
us
down
to
the
place
which
she
spent
so
many
happy
hours
in
the
distance
a
number
of
figures
are
climbing
poured
superb
ship
with
cherubs
hovering
overhead
.
the
London
is
like
a
Parthenon
only
ladies
and
gentlemen
of
the
aristocracy
play
the
parts
because
fantasy
world
of
pleasure
leisure
and
love
.
the
pleasure
has
as
much
to
do
with
the
dial
at
against
the
subject
matter
The
shimmering
colors
and
feathery
brushstroke
are
like
eye
.
we
went
to
Daniel
a
pleasure
.
so
this
was
the
rejection
of
the
official
style
of
Louis
the
fourteenth
and
be
carried
in
the
year
and
intellectual
work
of
artists
like
the
coolest
Tucson
.
the
money
the
stock
recently
and
luxury
.
Asian
in
France
fell
heavily
on
what
was
called
thirty
eight
which
was
the
push
was
the
middle
classes
.
the
workers
and
intestines
.
and
this
eventually
led
to
the
French
Revolution
in
seventeen
eighty
nine
which
began
with
the
storming
of
the
present
.
the
French
the
illusion
was
The
Proto
philosophical
movement
known
as
the
Enlightenment
.
Michelangelo
Supersport
in
many
ways
the
descendents
of
Renaissance
humanism
.
everything
and
to
on
site
of
the
Wisconsin
State
University
website
Dr
Brian
.
or
its
last
name
.
on
Enlightenment
philosophers
they
believed
that
human
reason
could
be
used
to
combat
ignorance
superstition
and
tyranny
and
to
build
a
better
world
.
their
principal
targets
were
religion
embodied
in
France
in
the
Catholic
Church
and
the
domination
of
society
by
a
hereditary
aristocracy
.
what
a
great
works
of
the
Enlightenment
was
great
to
look
at
the
piece
was
meant
to
be
the
Encyclopedia
of
all
Learning
Danny
didn't
grow
one
of
the
Encyclopedia
one
of
the
philosophic
they
were
called
right
at
the
human
the
Encyclopedia
is
to
bring
that
the
knowledge
scattered
over
the
surface
of
the
earth
to
present
its
overall
structure
to
our
contemporaries
and
to
hand
it
on
to
those
who
will
come
after
us
so
that
our
children
by
becoming
more
knowledgeable
will
become
more
virtuous
and
happier
.
anyways
the
Enlightenment
ushered
in
a
new
religion
.
it
was
the
religion
of
knowledge
.
police
and
science
and
logic
and
he
would
replace
the
Protestant
Christian
religion
dominated
Europe
since
the
Middle
East
it
.
this
painting
by
Joseph
Wright
of
Darby
reflects
the
new
spirit
of
the
Enlightenment
It
put
recent
demonstration
of
how
the
earth
revolves
around
the
sun
a
doctrine
had
been
censored
by
the
church
just
a
century
before
.
you
may
recognize
some
of
Carravaggio
techniques
and
Painting
The
Grosso
might
be
to
leave
the
action
placed
in
the
foreground
and
the
cure
our
spot
like
it
.
whether
it's
that
bellemeade
suggestion
of
religion
is
gone
.
now
that
drama
is
about
the
drama
of
science
human
knowledge
and
learning
.
thinking
they
shot
lead
Anti
also
portrays
a
famous
man
of
science
Antoine
Lorenz
westThe
a
noted
physicist
can
be
surrounded
by
the
scientific
instruments
of
his
profession
and
I
played
the
game
here
because
it's
wonderful
he
king
hit
in
the
Metropolitan
Museum
.
it's
a
portrait
that
also
reflects
the
new
Religion
Science
that
was
.
the
men
in
force
in
the
eighteenth
century
PBSThe
.
philosophers
called
for
a
new
kind
of
Art
Niemi
remembered
that
the
will
of
Trent
decided
that
art
was
very
valuable
to
the
to
the
themes
of
the
Reformation
Church
.
she
teach
people
about
religion
and
bring
them
closer
to
God
when
like
me
philosophers
also
poopy
that
art
was
an
important
instrument
of
the
new
Religion
Science
.
one
of
the
Enlightenment
us
so
Danny
Diderot
that
you
see
pictured
here
.
an
important
art
critic
in
the
eighteenth
century
.
in
this
portrait
by
Louise
Michel
van
the
piece
shown
with
adult
wig
signifying
his
free
thinking
character
.
.
I
have
been
in
the
service
of
church
and
I
think
that
Catholic
Baroque
was
promoting
the
eighteenth
of
the
Catholic
Reformation
Church
and
the
art
of
the
artist
who
worked
for
the
absolute
monarch
in
Europe
.
here
a
job
was
to
promote
not
promote
the
power
and
authority
of
the
absolute
monarch
.
Enlightenment
philosophers
believed
that
art
should
be
for
the
people
.
.
with
the
site
deals
the
Royal
palace
of
the
loop
was
converted
into
a
public
art
museum
after
the
Revolution
.
he
might
philosophers
believed
that
art
should
be
.
for
the
people
.
and
THAT
is
to
teach
moral
person
.
hell
broke
located
in
the
not
very
virtuous
.
on
the
and
so
in
light
meant
to
Philosopher
skin
and
stroke
cocoa
art
as
frivolous
and
lascivious
and
this
is
actually
a
an
excerpt
from
T
and
Art
review
written
by
Danny
the
hero
.
he
writes
.
I
am
no
country
team
accomplishing
with
it
.
monk
break
one
of
the
alumni
of
a
conservative
monk
but
I'll
admit
that
I
should
gladly
sacrifice
the
pleasure
of
seeing
attractive
new
DT
.
I
could
hasten
the
moment
when
sculpture
and
painting
having
returned
to
decency
and
morality
will
compete
in
promoting
virtue
and
purity
of
morals
.
I
think
I
have
seen
enough
teats
and
bottoms
.
and
I
pretty
much
sums
up
the
attitude
of
these
of
the
Enlightenment
thinkers
towards
the
the
French
Rococo
art
which
focused
on
erotic
themes
themes
of
love
and
pleasure
and
lots
of
policing
the
DT
.
what
kind
of
art
.
both
Reaction
against
the
frivolity
and
artificiality
of
aristocratic
culture
led
to
increasing
demand
for
art
that
celebrated
simple
person
.
for
example
with
this
painting
by
John
bought
two
new
Ishtar
down
it'll
be
great
.
influenced
by
the
ideas
of
John
shoppers
one
of
the
Enlightenment
philosophers
painting
depicts
a
peasant
family
saying
grace
before
a
meal
.
here's
a
summary
from
the
Luke
Museum
.
here
we
see
the
striking
difference
between
Chardin
and
painters
like
Boucher
.
stresses
deserving
and
taking
first
.
the
contented
life
of
duty
and
clean
and
well
fitting
humble
dresses
.
Cold
tree
.
garden
luncheons
and
moonlit
from
a
not
.
the
moralization
of
the
subject
.
in
simple
family
life
and
palpable
intimacy
explain
the
philosopher
teacher
of
great
enthusiasm
for
start
John
the
details
.
.
I've
had
enough
teats
and
bottoms
enough
lasciviousness
of
the
ideal
enough
to
cripple
its
kind
of
stuff
he
like
Stardust
picture
.
on
moral
values
.
simple
good
honest
living
.
so
in
contrast
to
the
crowd
values
of
the
French
aristocracy
the
picture
in
the
nice
Enlightenment
ideals
of
simplicity
nobility
and
thirty
.
the
Enlightenment
ideas
can
be
seen
in
the
work
of
William
Hogarth
a
British
painter
of
the
eighteenth
century
.
Gallery
.
discussion
of
this
self
portrait
of
the
artist
with
his
hot
dog
.
Hogarth
first
began
this
self-portrait
in
the
seventeen
thirty
.
it
showed
the
artist
in
a
formal
coat
and
wig
.
later
However
he
changed
these
to
the
more
informal
cap
and
clothes
seen
here
.
I
emphasize
that
in
many
of
these
on
the
Portrait
influenced
by
the
Enlightenment
era
the
rejection
of
the
ferry
preferred
styles
of
the
aristocracy
like
their
powdered
week
and
all
of
their
finery
be
.
the
Oval
.
Hogarth's
self-portrait
appears
propped
up
on
volumes
of
Shakespeare
Swift
and
Milton
authors
who
inspired
Hogarth's
own
commitment
to
drama
satire
and
epic
poetry
.
and
dog
Trump
whose
features
actually
resemble
.
emblem
of
the
artist
owned
company
has
character
.
specialized
in
moralizing
scenes
of
everyday
life
.
and
this
is
a
sample
His
Marriage
Island
series
.
or
the
new
decrepit
condition
of
the
range
marriage
.
this
sequence
of
five
pictures
that
that
on
the
story
in
a
very
comical
satirical
way
.
the
story
starts
in
in
the
mansion
of
Earl
Squander
.
I
love
the
names
right
.
Earl
Squander
who
was
a
member
of
the
aristocracy
and
he
is
arranging
to
marry
his
son
over
here
.
to
the
daughter
of
a
wealthy
merchant
here's
the
merchant
here
.
it's
going
to
eventually
and
with
the
murder
of
the
sun
and
suicide
doctrine
.
it's
in
a
range
Mary
so
according
to
Enlightenment
ideas
.
God
Enlightenment
philosophers
questioned
traditional
customs
like
the
range
matter
.
the
first
scene
the
eight
and
early
Here
we
see
him
.
the
Dome
of
this
family
tree
and
the
crutches
he
needs
because
of
his
gout
.
the
new
house
which
he
is
having
built
is
visible
through
the
window
.
we
know
that
he
remembered
the
aristocracy
swearing
one
of
the
scatter
wig
.
Enclosed
points
to
the
family
tree
that
means
he
can
trace
his
family
name
back
to
some
of
my
Charlemagne
and
galloped
with
it
does
he
is
associated
with
the
aristocracy
because
you've
got
dealt
deeply
too
much
me
in
rich
food
.
.
Bueno
did
not
as
well
dressed
the
Earl
one
he
sort
of
awkward
looking
.
he
does
not
belong
to
the
aristocracy
he
represents
the
new
class
that
is
on
the
rise
the
merchant
classes
he
said
ship
owner
.
he
got
lots
of
money
to
this
arranged
marriage
of
the
business
transaction
between
the
fathers
the
the
girl
who
has
on
wood
has
been
noble
lineage
he
broke
his
what
of
money
into
building
this
Villa
any
need
more
money
.
the
on
the
merchant
on
the
other
hand
has
lots
of
money
but
no
title
to
marry
going
to
be
each
man
something
that
the
other
doesn't
count
.
the
Earl
Son
meanwhile
the
Viscount
.
clearly
not
interested
in
all
keystrokes
in
the
latest
fashions
and
he
is
admiring
his
own
face
in
the
near
.
you
may
notice
the
little
black
dot
on
his
face
that
is
a
Hogarth
.
signature
Hogarth
.
it
means
that
my
Yes
list
.
and
THAT
covering
it
up
with
a
new
team
.
two
dogs
chained
together
in
the
bottom
left
corner
perhaps
symbolise
the
marriage
.
the
wild
daughter
.
clearly
it's
not
happy
about
this
and
the
Warrior
boards
Silvertongue
seems
to
be
whispering
sweet
nothings
in
her
year
so
we
can
see
that
this
Mary
is
destined
to
fail
.
.
details
on
to
our
the
picture
comment
on
the
action
for
example
abroad
grand
portrait
here
in
the
French
Manner
on
the
real
war
world
.
on
the
reader
War
long
years
the
Portrait
confronts
a
Medusa
and
offers
here
.
next
scene
portrays
the
couple's
in
the
temple
does
not
deny
it
to
hero
for
broadband
to
the
home
of
Kabul
.
in
the
morning
.
yes
she
is
yawning
but
the
real
on
her
face
what
exactly
is
she
happy
about
bullhorn
on
a
sec
he
has
just
come
in
from
a
Night
corralled
at
twenty
six
Austen
here
you
see
the
black
beauty
more
hiding
his
support
the
work
and
the
dog
man's
best
friend
is
pulling
something
Lisa
c
at
of
his
pocket
.
he
spent
out
rousing
all
night
.
meanwhile
into
the
room
is
in
disarray
.
and
we
get
a
sense
of
why
she
so
happy
will
look
to
share
here
with
the
final
in
October
apparently
she
had
a
music
lesson
last
night
probably
from
somebody
like
Downey
.
and
I
it
was
maybe
a
a
very
pleasurable
music
lesson
so
that
we
explained
like
she's
smiling
so
clearly
in
the
meantime
the
talent
and
try
to
.
the
couple
about
their
mounting
bills
but
they
are
clearly
came
to
attention
.
.
the
decoration
of
the
room
comments
on
the
action
as
well
.
the
picture
over
the
mantlepiece
shows
Cupid
among
ruins
an
and
fun
and
it
is
a
Bust
with
a
broken
nose
symbolising
in
content
.
like
lightning
thinkers
at
the
time
Hogarth
proposes
that
marriage
should
not
be
Founded
on
the
proposes
that
marriage
should
be
Founded
on
the
natural
bonds
of
love
rather
than
traditional
custom
of
the
range
marriage
.
didn't
make
his
living
from
the
regional
painting
Instead
he
sold
engraved
prints
that
could
be
mass
produced
and
distributed
more
widely
.
back
Moralizing
Genre
scenes
parallel
the
prize
of
the
literary
novel
in
England
.
most
were
new
because
they
could
get
every
game
I
like
Genre
Painting
and
a
book
written
in
prose
every
day
language
rapid
than
poetry
.
and
finally
published
in
Serial
form
in
the
popular
press
that's
what
you
echapters
novel
.
they
were
religion
Republic
is
full
of
pay
would
be
the
sandstone
published
in
the
popular
press
and
Hogarth
series
of
pictures
are
like
those
characters
in
novels
.
been
.
the
ideas
were
also
influential
in
the
American
colonies
.
Portrait
of
Paul
with
the
are
communicates
a
down
to
earth
simplicity
that
contrasts
with
the
current
fashion
for
which
I
finally
great
this
is
what
this
is
what
Portrait
looks
like
Europe
.
you
know
the
service
to
credit
men
with
their
public
that
we
can
send
lots
of
PR
teaching
fancy
clothes
hand
.
John
Singleton
Copley
Portrait
of
Paul
Revere
.
the
area
American
word
characters
that
you
know
that
God
meets
me
for
who
I
am
not
how
much
money
I
have
.
I
thought
also
inspired
the
new
way
of
thinking
about
the
concept
of
nobility
itself
.
in
the
European
tradition
nobility
was
inherited
from
her
.
we
referred
to
having
blue
blood
.
it
means
that
your
family
can
trace
its
lineage
back
to
some
great
noble
working
in
the
middle
teaching
.
but
Enlightenment
philosophers
argued
that
nobility
comes
from
power
.
rather
than
her
now
that
something
we
believe
that
Americans
.
this
is
an
Enlightenment
idea
that
was
a
radical
new
idea
.
the
eighteenth
century
explored
a
new
kind
of
hero
.
hero
than
embodied
virtues
.
courage
resolution
patriotism
and
self
sacrifice
These
noble
virtues
come
by
nature
rather
than
heard
.
probably
the
best
example
of
this
is
the
familiar
Portrait
of
our
own
first
President
George
Washington
.
by
Gilbert
Stuart
.
if
you
think
about
going
away
two
leaders
were
portrayed
in
the
seventeenth
and
eighteenth
century
.
the
portraits
that
we
are
familiar
with
the
George
Washington
.
the
drink
away
almost
eternal
.
finally
the
emphasis
is
on
the
character
and
the
first
to
the
man
himself
nobility
is
something
that
comes
from
.
Kerry
.
American
intervention
and
last
but
an
American
artist
who
spent
most
of
his
professional
career
in
London
This
painting
gear
and
exploration
of
a
new
kind
of
subject
the
modern
hero
who
exemplifies
noble
virtue
of
the
painting
titled
the
death
of
General
Wolfe
eight
seventeen
fifty
one
.
or
put
a
British
Military
hero
who
died
in
a
battle
outside
the
city
of
Quebec
West
portrayed
him
in
the
grand
Manner
style
that
was
once
reserved
for
.
figures
from
history
mythology
or
the
bible
.
in
fact
Royal
Academy
will
suggested
that
Modern
St
.
are
happening
today
are
simply
not
noble
enough
to
be
considered
worthy
of
art
and
less
talent
that
in
his
picture
.
the
modern
event
.
but
he's
portrayed
like
some
Plant
mythological
event
from
history
.
we
call
it
the
grand
Manner
style
because
even
know
all
of
the
.
uniforms
.
police
Study
for
Modern
uniforms
.
underneath
those
clothes
are
thinking
that
are
based
on
classical
statues
.
so
the
figures
aren't
the
idealized
her
out
with
the
gears
into
relative
close
to
doing
heroic
thing
.
he
then
included
in
TN
here
to
Course
located
on
the
scene
and
North
America
but
it
also
is
a
pro
back
to
the
ideal
Dürer
UT
goes
on
the
way
back
to
artists
like
Michelangelo
who
first
started
looking
.
are
the
focal
point
of
the
composition
is
General
Wolfe
himself
who
was
dying
on
the
battlefield
twenty
c
from
the
National
Gallery
of
Canada
to
depict
the
death
of
Wolfe
at
the
Battle
of
the
plaintiff
Abraham
in
seventeen
fifty
nine
West
grouped
the
figures
around
the
fallen
general
.
Alam
and
Titian
of
Christ
in
other
words
he
looked
back
to
traditional
purely
Image
.
on
such
as
images
of
Christ
.
a
modern
secular
hero
is
taking
the
position
that
was
once
reserved
for
Jesus
Christ
bore
me
The
Greek
.
contemporary
uniforms
to
ensure
accuracy
.
semi
nude
American
Indian
identify
the
location
.
some
wonderful
drama
in
the
background
.
you'll
notice
that
as
the
General
Wolfe
is
expiring
on
the
battlefield
.
are
pointing
back
Anderson
messenger
running
with
a
message
telling
him
right
before
he
died
.
this
is
quite
dramatic
that
the
battle
is
won
.
we
know
that
it's
a
good
thing
the
dark
clouds
over
here
.
but
now
of
the
dark
clouds
drifting
in
the
sky
is
beginning
to
be
her
last
.
I
was
Hogarth
West
did
not
make
his
money
off
the
sale
of
the
shooting
to
build
painting
Instead
he
made
his
money
off
the
sale
of
Trent
.
so
the
audience
was
a
much
wider
on
the
audience
artists
were
now
working
for
a
new
public
and
their
job
was
to
teach
moral
virtue
to
citizens
of
a
new
social
order
.
the
end
of
my
pieces
.
.