Art 109: Renaissance to Modern Westchester Community College Prof. M. Hall © Spring 2011 Post Impressionism The End of Impressionism The last Impressionist Exhibition was held in 1886 Impressionism was gaining public acceptance It was no longer “new” Cezanne Degas Monet Morisot Pisarro Renoir Image source: http://www.artchive.com/74nadar.htm The Post Impressionists The Post Impressionists referred to themselves as Impressionists They were dissatisfied with the limitations of Impressionism Each moved beyond Impressionism and developed a distinct style of their own elauren1 gogh gauguin Paul Cezanne Georges Seurat Vincent Van Gogh Paul Gauguin Screen shot 2011-04-05 at 7.15.05 AM.png COURBEVOIEbridge Georges Seurat Georges Seurat exhibited at the last Impressionist exhibition in 1886 He thought Impressionism lacked a sound basis in theory and science He evolved a new style of painting called pointillism Georges Seurat, Bridge at Courbevoie, 1886-1887 Courtauld Institute Pointillism Pointillism was a scientific application of divisionist color Using the latest discoveries in color theory, Seurat and his followers painted pictures with mechanical dots of color The colors mix optically in the eye Paul Signac, Femmes au puits, 1892 with detail illustrating the use of divisionist color Image source: http://en.wikipedia.org/wiki/File:Paul_Signac_Femmes_au_puits_1892détailcouleur.jpg Pointillism pixels Pointillism breaks color down into its component parts The dots are like the pixels that make up a digital image Neoimpressionism This new style of painting came to be known as Neoimpressionism It was like Impressionism, but new and different Hippolyte Petitjean, The Pont Neuf, c. 1912-1914 Metropolitan Museum http://www.metmuseum.org/toah/hd/seni/ho_1975.1.681.htm Subject Matter COURBEVOIEbridge Seurat’s subject matter was similar to Impressionism He focused on modern urban life Georges Seurat, Bridge at Courbevoie, 1886-1887 Courtauld Institute Subject Matter COURBEVOIEbridge But the style is different from Impressionism It is less spontaneous and intuitive It is rational, precise, and ordered Georges Seurat, Bridge at Courbevoie, 1886-1887 Courtauld Institute The Grand Jatte 1220 Seurat’s most famous picture portrays Parisians relaxing on on the Island of the Grand Jatte It was exhibited at the last Impressionist Exhibition in 1886 Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago The Grand Jatte Everyone took notice because of its large scale And everyone understood that it was different from Impressionism Image source: http://www.flickr.com/photos/kirstiecat/909847784/sizes/o/ The Grand Jatte Studies_grand_jatte Seurat’s picture was painted in the studio, rather than plein air It was based on many studies done on the spot The Grand Jatte 1220 Seurat’s picture was different because it was painted in the new pointillist style grand-jatte-microdetail-01 Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago The Grand Jatte 1220 The method is methodical and precise, and therefore very different from the loose and spontaneous approach of Impressionism Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago 1220 det4 Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago 1220 det3 Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago 1220 det1 The Grand Jatte 1220 Seurat’s picture was also different because of the simple abstract forms Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago The Grand Jatte 1220 The figures’ poses are stiff and formal, rather than relaxed and natural Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago 1304.jpg Breaking with the Past antique_19th_century_cameras Why paint “realistically” when a camera can do it better? Breaking with the Past tribute_diagram The Renaissance concept of painting as a “window” has been abandoned Breaking with the Past Seurat-La_Parade_detail Post Impressionists focused on “style” rather than realism This was what made their pictures different from a photograph Content 1220 Why do Seurat’s Parisians look so stiff? det5 DressForm Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago Content The picture had a companion portraying factory workers on the opposite bank Georges Seurat, Bathers at Asnières, 1883-1884 National Gallery, London “Asnières is an industrial suburb west of Paris on the River Seine. The present work shows a group of young workmen taking their leisure by the river.” National Gallery, London 1220 Georges Seurat, Bathers at Asnières, 1883-1884 National Gallery, London Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago The pictures depicts both sides of the Seine, and the different classes that took their leisure there Georges Seurat, Bathers at Asnières, 1883-1884 National Gallery, London 1220 Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago 1220 Georges Seurat, Bathers at Asnières, 1883-1884 National Gallery, London Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago Seurat’s workers seem natural and relaxed, compared to their bourgeois counterparts who appear stiff and artificial 1220 Toy_soldiers1 “The painter has given his figures the automatic gestures of lead soldiers, moving about on regimented squares. Maids, clerks, and soldiers all move around with a similar, slow, banal, identical step.” Alfred Paulet Automatons 1220 Critics felt that Seurat’s Parisians were like “automatons” His picture has been interpreted as a commentary on the artificiality and dehumanization of modern city life Georges Seurat, Sunday Afternoon on the Island of the Grand Jatte, 1886 Art Institute of Chicago Paul Cézanne Paul Cézanne exhibited with the Impressionists Like Seurat, he was dissatisfied with the Impressionist approach Paul Cézanne, Self Portrait with Palette, 1885-1887 Source: http://www.paul-cezanne.org/Self-Portrait-With-Palette.html Screen shot 2011-04-05 at 7.15.05 AM.png 1303.jpg Paul Cézanne Cezanne felt that Impressionism lacked form and structure In this painting, the massive locomotive literally dissolves in the play of light Claude Monet, Saint Lazare Train Station, 1877 Museé d’Orsay Paul Cézanne 1210 Cézanne wanted to capture the solidity of form “I want to make of Impressionism something solid and durable like the art of the museums.” Paul Cézanne Claude Monet, Impression, Sunrise, 1872 Musée Marmottan Paul Cézanne poussinphocion Cézanne admired classical landscapes like this one, with its solid forms in space Nicholas Poussin, The Funeral of Phocion, 1648 Louvre Paul Cézanne poussinphocion He said he wanted to “do Poussin over again” – but after nature He wanted to use Monet’s direct observational method, but to achieve Poussin’s solidity of form Nicholas Poussin, The Funeral of Phocion, 1648 Louvre 1210 Claude Monet, Impression, Sunrise, 1872 Musée Marmottan Paul Cézanne Cézanne once told Emile Bernard: “Treat everything in nature in terms of the cylinder, the sphere, and the cone.” This was a recipe for abstraction Paul Cézanne, Woman with a Coffee Pot, c. 1895 Museé d'Orsay Paul Cézanne Paul Cézanne, Woman with a Coffee Pot, c. 1895 Museé d'Orsay DressForm Paul Cézanne And it was the opposite of a photograph Paul Cézanne, Woman with a Coffee Pot, c. 1895 Museé d'Orsay Portrait_photography Aix en Provence Aix-en-Provence_in_France Cézanne spent most of his career at Aix en Provence in the South of France He did not pursue the modern life subject that was typical of Impressionism Subject Matter His subject matter was portraits, landscape, and still life He was not concerned with subject matter or content His focus was on translating perception onto canvas without using any of the techniques he learned in school Paint What You See Not What you Know Monet focused on color and light 1210 Claude Monet, Impression, Sunrise, 1872 Musée Marmottan Paint What You See Not What you Know Cézanne focused on structure and form Paul Cézanne, The Bay of Marseilles, Seen from L'Estaque, c. 1885 Art Institute of Chicago Paint What You See Not What you Know This picture was painted in the coastal village of Estaque, near Cézanne’s home in Aix-en-Provence Paul Cézanne, The Bay of Marseilles, Seen from L'Estaque, c. 1885 Art Institute of Chicago “It is like a playing card. Red roofs on the blue sea. The sun is so terrifying that it seems as though the objects are silhouetted, not only in black and white, but in blue, red, brown, and violet. I may be mistaken, but it seems to me the very opposite of modeling.” Paul Cézanne While Monet focused on color, Cézanne focused on on shapes – or “planes” The bay is a solid blue shape, bounded by an outline The houses are composed of flat planes juxtaposed to one another The resulting picture is like an abstract arrangement of shapes – like the “playing card” that Cézanne mentions Picture 5 + Picture 6 + Picture 7 = Picture 4 For Cézanne, form could be created through the juxtaposition of planes Notice how some of the patches that initially read as “background” become foreground when you eye fixes on them? Cézanne understood that when you focus on a detail in a landscape, it comes into the foreground of your vision His picture becomes a mosaic of these discreetly observed shapes As a result, there is a constant shifting of perspective -- shapes seem to be both background and foreground, and the picture reads as an illusion of depth and a flat arrangements of shapes simultaneously View of Mont Sainte-Victoire http://www.worldisround.com/articles/133075/photo17.html As a result, there is a constant shifting of perspective -- shapes seem to be both background and foreground, and the picture reads as an illusion of depth and a flat arrangements of shapes simultaneously View of Mont Sainte-Victoire http://www.worldisround.com/articles/133075/photo17.html 1221 Paul Cézanne, Mont Sainte-Victoire, 1902-1904 Philadelphia Museum of Art In his later works, the planes break apart even more, creating dynamically shifting perspectives Reflection It is similar to how things looks when reflected in water: since the water is not flat, the scene is “pixelated” into a myriad of shifting planes Still Life Cézanne also painted still lives His method of working was so slow he had to abandon using real fruit, since it would rot before the picture was finished! Paul Cézanne, The Basket of Apples, c. 1893 Art Institute of Chicago Cézanne reduces his objects to basic shapes – cylinders, spheres, and cones There are inconsistencies in the perspective – the table does not line up, and the objects are seen from different perspectives This is not painted from a single point of view, but from many shifting points of view – which is closer to how we actually see things This is not painted from a single point of view, but from many shifting points of view – which is closer to how we actually see things Rather than representing her from a single, fixed point of view, he has created the picture from a variety of viewpoints Many of Cézanne’s contemporaries thought this was just “bad painting,” but the next generation of artists understood that Cézanne was onto something Impressionism Seurat Cézanne Spontaneous/ improvisatory Loose brushstrokes Based on perception Plein air approach (painted on the spot) Momentary/transitory effects Impressionism Seurat Cézanne Spontaneous, intuitive Calculated/analytic Loose brushstrokes Mechanical dots Based on perception Based on science Plein air approach (painted on the spot) Painted in the studio Momentary/transitory effects Timeless Impressionism Seurat Cézanne Spontaneous, intuitive Calculated/analytic Calculated/analytic Loose brushstrokes Mechanical dots Patches/planes Based on perception Based on science Based on observation, but analytic approach Plein air approach (painted on the spot) Painted in the studio Plein air approach Momentary/transitory effects Timeless Seeks underlying structure; permanence

I'd Professor Melissa Hall and this is the first to peace and patience on posting . . the last Impressionist Exhibition was held in eighteen eighty six . when and I'm Impressionism was gaining public acceptance . so it was no longer new or die hard . the Post Impressionists referred to themselves as Impressionists that they would dissatisfied with the limitations of Impressionism Each moved beyond Impressionism and developed a good thing style of their own . should Iran the first artists to we will look exhibited at the last Impressionist exhibition in eighteen eighty eight . he thought Impressionism lacked a Sound basis in theory and science . he evolved a new style of painting called Pointillism . Pointillism was a scientific application of divisionist color that The Impressionists were all pretty working with to a certain extent . using the latest discoveries in color theory Corot and his followers . with mechanical dots of color The colors with than me optically in the night . here you see a blowout from a painting by posting up pics jokey that the green grass neared the way he's composing the green grass his client . the blue and yellow which of the enemy unite to create green painting green dots as well to it yet . to adjust the colors . we listened breaks color down into its kind component parts and the dots are like that . that make up the digital image . these new style of painting came to be known as Neoimpressionism It was like Impressionism but new and different . subject matter was similar to Impressionism He focused on modern urban life . but the deal is different from Impressionism is less spontaneous and intuitive . Instead is rational precise and ordered . George the Rocks Greek club applied to Claude Monet's Impression Sunrise noted how on the on health Monet's to real lacked form and structure and how to ensure look so geometric in composed . there is a kind of order and rationality to the ensure that was lacking Impressionism . the midst of your foot race weekend relaxing on and on the Island of the crime shot and succeeded in the last Impressionist exhibition in eighteen eighty six . one took notice because first of all its large scale And everyone recognized that the the painting was different from Impressionism to the picture really feel that at that piano garde was a new direction . so the departed from Impressionist beneath a number of twenty first of all the picture was painted in the studio rather than plein air remember Impressionists pioneered plein air painting . on the beginning band . on the Salon would go to the Island of the ground shot two he composed many many studies done on the final picture was composed entirely in the studio so that was departing from Impressionist techniques . this picture was different . also because it was cute in the new pointillist style . when we come close to the picture . we can see the new doctrine or composing the gradations of color . the method is methodical and precise and therefore very different from the loose and spontaneous approach of Impressionism . here are some details that kill us as we blow up some of the details of the picture you can be held all of those colors are composed of the Scots of pure color . to create gradations Lucas did just the ratio of God . the colors the ratio of to be alone for example just become green that will result . the picture was also different because the simple abstract forms . the figures poses are stiff and formal rather than relaxed and natural and the typical Impressionists picture . look more like mannequins or dress forms that one critic complained that can be cured look like DressForm . those were It dummies that you use when you're selling address together . because before that the Eyck used the frozen look of Art Greek statues and we know that Iraq was looking at eighteen to get in art as well as our Greek art . this makes the figures seem to mind when . different from the momentary quality of Impressionist painting something that's her up after the picture . it also means that the picture doesn't look like a photograph . and that was the point . Impressionists . we can get the idea that art should be a photograph of reality . he had been invented by the late nineteenth century artists began to think . he really up close to challenge to art Art is supposed to be the preparation can be sure to be listed intention of nature . here is an issue now they can't do that . on the pencil artists began to rethink what exactly Art da is Art just a photograph of nature . mori is like interpretation of nature . the Post Impressionists are going to move increasingly away from the Renaissance concept of keeping the kind of window onto the world . it began in the Renaissance with the invention of new light on modeling with light and she even Linear Perspective material perspective . these were all techniques to make a lump real like a photograph . depression is artists started to move away from this thinking that know what the the one that the media goal of art . it's not nearly to the creaky nature is to put looking out a window that art is simply interpretation of what we're actually seeing . the Impressionists focused on the real rather than realism . what made their pictures different from a photograph . . Yes was to deal with the content of the Rocks painting . why do I pretend to look so damn . well . look at another picture that surround it was a companion to the Sunday Afternoon on the Island of the ground shot put Race factory workers on the opposite bank of the St River . the air which was an industrial suburb west of Paris on the river's name and the group the work of the Yunnan the Soul factory workers and we can see the factory on with a wooden four in the background . . both side of the pictures ten . lead classes that took their leisure they are . . more current seem natural and relaxed compared to their bourgeois counterparts who appear stiff and artificial . in fact critics wrote about that that the painting saying that the painter has given the fake the figures the automatic gestures of slave soldiers moving about on region and to where it meets clerks and soldiers all move around with a swindle a similar slow banal identical step . in many ways that he carries almost like you care of this with the artist She Alec not like the Savior of creation . you'll be well in this one and year which for him very proper hat around for Ella and her The Third fossil Anti squawking not only a and B of the laptop calm but a monkey in chief the company by the very proper gentleman with his hat and his cigar and it's almost like you and your reading here's a formality . sunny day everyone is stressed . no not from head to toe in their proper closed until it almost becomes a cute picture . I'm of of middle class . Morrison He here . . Critics felt that Corot creations were like . . so it's Picture it's been interpreted as a commentary on the artifice He Alec anti humanist nation of modern city life . the artist and the one to look at actually belonged to the generation of the Impressionist antiques with them . but like a la he was God did this by with the Impressionist apprentice . some felt that Impressionism lacked form and structure In this painting by Boney which we looked at me about how the massive locomotive me I am relieved it's all in the play of light . see someone the decanter to salute Form Anti said I wanna make of Impressionism something solid and durable like the art museum . minor classical landscapes like this one by Nicholas piece on with its solid forms in space but how solid piece . these blocks that don't mean building are going on to solving and light the way god the way object dissolved into Impressionist picture . the man said he really admired the sun he said he wanted to do who sun again but after nature He wanted to use Monet's direct observational method but to achieve two sons solidity of form . how was he going to do that . all on the sun was an artist to approach what he saw him he sought to abstract to find the underlying essence of the form he once told a student painter Camille be an art Treat everything in nature in terms of the cylinder the sphere and Collin does he think about it this was a recipe for extraction . that In this painting of a Woman with a Coffee Pot which is actually a portrait of Mad and the time . . thinking like an academic painter for the academic painter would pay attention to serve fifty . he's focusing on just the forms she looking at her arm and into two piece looking at her body . cylinder the same thing with a Coffee Pot and calm . this is what they call abstraction to it . to eliminate the few . and to to get to sleep underlying essence reform . being very similar to that mannequin like on form that we can direct people to the bone Corot and the sun are moving away from a realistic depiction of nature . and they're trying to extract the get at us with the underlying essence of shape and form . . the sun also is moving away from the realism of photography in its more abstract approach to the precinct . the son . discovery year at XM confronts which is in the South of France He CP are on the map on . Becky is not living in the city and in the center of the industrial revolution lead The Impressionists were and he did not pursue the modern life subject that the typical of Impressionism . Jake matter was pretty much portraits still life and landscape . looks like he chose the subject because the summits not really concerned with nary or subject matter . what would he was focused on translating perception what he could be used on to canvas without using any of the techniques he learned in school . Elaine he liked Monet paintings for trade Monet also used focusing on how to lead translate what I . into the equivalent on canvas . we talked about how Monet said Paint What You See Not What you Know . and so Monet focused on color right on color and light I see of blob of pink eye Campin CIA plot the blue eyed paint blue sea sun his approach is to say in how weather he is going to focus not so much on color . but on structure and form . instead of saying what color do I see he's gonna look at whatever gizmo . nice going to say what she two I c . how can I translate that on . what could any news on two AA exemplifies the sun's approach is called the Bay of March St . seen from the stock was painted in the coastal village of stock Merisi sometime in action . in front He book about what attracted you to this place . he said . it's like playing card . think about you know what Plain cards look like it was unclean . I might remember this he said it's like complaining cause heart rate moves on the blue sea the sun is so fine that pieces though the objects are silhouetted not only in black and white but in blue with brown and violet . I may be mistaken but it seems to me the very opposite of modeling to remember what modeling . modeling is confusing gradations of light to our to make things look three dimensional . he saying that when she went to this particular place the brightness of the sun me things will last . so this was interesting . look . how the sun is peeking While Monet focused on color . the news focusing on shapes or planes . look at the Bay there now we know alimony would paint this money would painted every dollar that he saw in her woman what they hear . very little . it's mostly blue . it doesn't get darker and lighter as we receive into the back to his pre lunch . . flight . right into solid blue shape bounded by an alkaline . the look in our seats looking at peace building . they'll get really abstract thing on his eliminated a lot of information . we don't really see much in the way of windows and Door and the Dome get to be different . you're of the of the room . really treating them like abstract few more ca . he analyzes the day . composed of the flat planes juxtaposed to one another like looking at the house he knows it's three dimensional the twenty Post canteen be part of what we call that component parts . we get to shape for the side gate for the front gate for the group . work by up to the piece analyzing that blah that three dimensional shape into its component plates . when I the way that he sure . the resulting picture is like an abstract arrangement of shapes like the playing card that the sun I mentioned in the quote I cited above . Nissan form can be created through the juxtaposition of planes Dominic played at animation again . three dimensional cube . John understood that would make include three dimensional . three flat States . together let's go back and do that again . the side . plus the front of the top . when you when you juxtaposed and that's where you get the sense of three dimensional and . analysis of form into its component parts . it was central to say son's work and it will and Kate Cupid some cookie feeling confused about it right now and then took a because it will actually become easier to understand when we look cute . what they Psalms favorite multi was the massive Mount Sainte Quiringh near his home and tempera concept that massive Mount in the background you can . lots and lots be sure . on that count . some of the hatch . in this painting . initially read as background . you look at them we realized there in the foreground but the best . well we look at the whole . we understand query Bush is this Bush in the middle distance ballistic and get tree in the foreground . the women can be screened here where plumbing Reading relation to ensure we say ok back in the Middle ground below me just look at the color we realize that it is in the foreground . on the scene planes This and get it . the hearing . push pull on one hand when getting the incentive to . sure . it also flattening flattening out to be . some understood that when you focus on antiques in a landscape it comes into the foreground of your kitchen . the singing . almost like a mosaic of these discreetly observed . like he's focusing on this then he's focusing on this . he is a mosaic of . the Oath of the Dürer multiple inches viewing different parts and piecing them together in the result that a constant shifting of perspective shapes seem to be both background and foreground and the picture reads as an illusion of depth but also as a flattering twenty She simultaneously . so . I and I'm looking II . I think they sound really hard to teach the way to understand the son . doing . photograph of own seen the twelve . and these little how it is here . are you Know my way of trying to visualize how looking at this Landscape weeknight . . and we're work and money suppressed were saying I'm not gonna think about what it is empty . analyze this little spot here . that she . this is another shape juxtaposed to another state . and I'm going to be good care together so that the picture becomes a kind of mosaic of the subjugation just like Monet is looking in color . the sun is looking at shapes that composed the Form Anti has before its eyes . later works the planes those . looking at break apart even more creating thousand an increase shifting perspective it could look at this painting we can see the mountain . and we can see how each little patch of color and shape . it's like that . of the form that he's reading . the analogy I can come up with force Nissan's picture . you ever look at a landscape twenty reflected in water . the water is not flat . little did by its almost like the water is in your an enemy or had been broken into fragments and so this little shit . on a Sunday in a just like the reflection in the water you get beat like little shift in perspective . and so it becomes like a mosaic of peace together observation . also painted still lie method of working was so slow he had to abandon using real for you because they would rot before the picture was finished . some reduces his objects to basic shapes though cylinders years and calm that he spoke to and he'll Baron Art about . I'm . there evoking the skin of perspective . look how the table does not in the table doesn't really line up and start of her Kia gets lost on the clock and any continued to preach here . while it held the bottle is to learn how The Basket of Apples seems to get up for this little . pastry were seen from yet another perspective . so the painting is not painted from a single point to view but from many shifting points of view which is closer to how we actually see things Linear Perspective was based on an extent single viewing point . actually see that what we see with too high . if you just look . I on an object for a moment and close one eye and then post the other eye . when you see that the new shift . do this I'm on doing it myself . now if you are one cooperate though shifting perspectives . the sun is getting and getting his picture . another way of getting at . this is a more contemporary artists by the name of the the company . mostly it painter but he also did a series of collages . the lodge where he took of the range of photographs in this case his mother . the than the photographs show her close up far away from the side from three quarters to lead it was He collage them to gather and keep his inspiration was to Busan into prison is going to deride from Nissan . I think the photograph . give us a sense of what it is that the sun is doing in his teacher . by using these on multiple perspectives seen all it wants . rather than representing her from a single point to us in Linear Perspective Kak nice created picture from variety or multiple viewpoints . contemporary spot . and THAT painting but the next generation of artists understood eight . the sun was onto something . and we're going to see that cube isn't going to a marriage directly from Nissan . he yelled I thought would help you to summarize it by looking at the characteristics of Impressionism and seeing where Surat and the sun are similar and three . we think of Impressionism The appear approach is being . and Prophets Corey . they're using loose brushwork their work is based on a green but there's seen on the The Impressionists are faithful to painting only what they can see which is why they are using a Plein air upon approach Painted on the spot . we look at the care Momentary transitory effects . let's look at Iran . and how different it approach instead of being spontaneous and intuitive his approach discreet cat lady analytic really on on scientific instead of using Loose brushstrokes using pink dots . being based on perception . work is based on the and in fact if you think about it . I don't think he is using on guilt . Elaine of color . the new recipe you Know out the ratio of blue to yellow was gonna get me into going to have to try to not each week seeing he can to use scientific methods to achieve the color . the Impressionist use of clean air approach that Iraq is peaking in the studio . and finally one The Impressionists strove to capture something Momentary transitory . trying to capture something . and during . a sign . this approach is also . the lady in the analytic than Spontaneous intuitive approach of the Impressionists . and what makes the dial distinct While Surat keen to welcome Impressionism is using loose and rapid brushstroke Iraqis a mechanical dots and the sun keen to board planes which made it style very recognizable . on the flight Impressionist no . the sun continues to face his work on perception Based on observation but a much more analytic approach . and see some old for me means a plane or painter . he made those pictures on the beginning . finally one The Impressionists on the momentary in transitory sixties on . not underlying structure and permanent much like to run . the next precinct eight will be on Van Gogh and beyond the end though I'm Gauguin .